Last July, I was invited by Steffen Andrae, Hans Innenhof, and Günther Mailand to contribute a piece of criticism to the third edition of a series of concept shows organized by Mailand / Innenhof at Kontor 80, an experimental exhibition hall and event space in Leipzig, Germany.

Caesura hosts an online panel on “The Crisis of Art Criticism", featuring Sean Tatol of The Manhattan Art Review, Troy Sherman of Midwest Art Quarterly, and Gareth Thomas Kaye of Chicago Spleen.

Caesura editors Patrick Zapien and Gabriel Almeida talk to Elisa Jensen about her practice.

Caesura editors Patrick Zapien and Gabriel Almeida talk to Jeane Cohen about her practice.

On December 11, 2022, Caesura editors Gabriel Almeida and Patrick Zapien hosted a live-streamed conversation with Bloomington, Indiana-based painter Peter Shear.

On November 20, 2022, Caesura editors Gabriel Almeida and Patrick Zapien hosted a live-streamed conversation with Chicago-based painter Will Gabaldón.

On November 13, 2022, Caesura editors Gabriel Almeida and Patrick Zapien hosted a live-streamed conversation with Bristol-based painter David Abbott.

On the occasion of her first solo show with Make Room gallery, “A Tangle of Limbs and Long Hair,” Caesura editor Patrick Zapien conducted a brief interview with artist Shana Hoehn. A selection of work from the show follows.

The NFT phenomenon is a social, not technological, phenomenon emerging from the new money of the 21st century — the tech sector — working out its own culture and aesthetic tastes as an alternative to the self-critical or self-defeating aesthetic culture that has been dominant since the emergence of liberal society in the 19th century.

Caesura presents the following essays, poems, and appreciations of Kent Johnson, all attesting (singularly and jointly) to the formidable aesthetic force of production he embodies.

Caesura presenta los siguientes extractos como anticipo del dossier Sien en Trilce, en memoria de los 100 años del poemario Trilce (1922) de César Vallejo, de pronta aparición en la edición nº 22 de la revista Mar con soroche (Santiago / La Paz) en colaboración con Vallejo Sin Fronteras Instituto (Lima), en el cual han participado más de 77 escritores de América y Europa.

Caesura presenta los siguientes extractos como anticipo del dossier Sien en Trilce, en memoria de los 100 años del poemario Trilce (1922) de César Vallejo.

Caesura presenta los siguientes extractos como anticipo del dossier Sien en Trilce, en memoria de los 100 años del poemario Trilce (1922) de César Vallejo, de pronta aparición en la edición nº 22 de la revista Mar con soroche

Una entrevista con César Vallejo, perdida desde julio de 1937, publicada con notas de Andrés Ajens.

Art about or responding to the COVID pandemic may simply be destined to be bad, but some things truly stand out. Caesura chimes in on the worst.

Caesura was invited by Montez Press Radio to contribute a segment of radio programming in July 2020.

I died for Beauty — but was scarce / Adjusted in the Tomb / When One who died for Truth, was lain / In an adjoining Room

I do not “use” the language. I interact with it. I do not communicate via language, but with it. Language is not a tool for me, but a medium infinitely larger than any intention.

All important questions become political questions in a much more immediate sense than in the past. But to be publicly portentous one must have opinions. And to have serious opinions one must have ideas — political ideas. But one is afraid of political opinions; they involve you in partisanship and in arguments that have nothing to do with poetry.