Is it possible Jurassic Park’s innovative special effects overshadow its true artistic depth?

Like those born at the turn of this century, untitled-game is overwrought with anxiety about its own emptiness. This reflects the fear of one’s own emptiness. Are we up to the tasks of our own century?

The spasmodic beauty of abstraction reflects the social reality of capitalist production — a kind of rationality that is not yet rational enough.

The return of “art” to film even if such gestures are mere semblance, may indicate, however obliquely, a renewed desire to reconsider the medium.